Here is the presentation I’m making tomorrow for my Apps for Jazzers presentation at the National Jazz Workshop at Shenandoah University. Please comment with your favorite apps below!
In regards to his experiences walking the streets of Berlin, Wycliffe Gordon states: “I saw the thing that music does, and has done… time and time again… it shatters all of those things that separate us.” In this interview, Mr. Gordon tells stories about his experience in Germany, how Louis Armstrong stopped a war, and how the JLCO‘s performance of Ellington/Strayhorn’s Peer Gynt Suite helped break the proverbial “glass wall.” Please enjoy this episode of the JazzCast, where we dig into the music on his latest album, “Hello Pops.”
Mentioned in this podcast (in no particular order)
The beautiful thing about podcasting is that there is no time limit. It gives the artist a platform to share their insights, views, and stories related to their music. This interview was especially inspirational to me because it reminded me of my time at MSU, and specifically the Martin Luther King Jr. concert we did each year. This interview, along with my experiences at MSU, inspired me to create the Jazz and Freedom Festival, which happened MLK weekend in January 2015. Although we recorded this in the summer of 2014, it’s timeless. Thank you Wycliffe Gordon for your inspiration and beautiful artistry!
Welcome back to the JazzCast! This episode we have Bobby Jasinski, DC based pianist, composer, and bandleader. I’m very happy to share his latest endeavor, “Retrospection,” with you as we dig in behind the scenes in the music. This is Bobby’s second album and features 12 original songs played by a cast of amazing musicians he has put together. I hope you enjoy this interview!
Bobby and his Septet will be performing at the Jazz Loft on Sunday, May 10th, at Union Arts located at 411 New York Ave NE, Washington D.C. If you’re in town, swing on by, it will be awesome! The Loft starts around 7pm and there is a $15 cover charge. Sponsored by CapitalBop.
Mentioned in this podcast (more links to come later):
Welcome back to the JazzCast! Today we have an interview with jazz pianist Donal Fox! He will be performing this Friday, April 10th, 2015, at AMP by Strathmore, located at 11810 Grand Park Avenue North Bethesda, MD 20852. Show starts at 8 pm.
With an encyclopedic ear and ravishing technique, Donal Fox draws on a vast repertoire in this solo piano concert that includes works by and based on J.S. Bach, Thelonious Monk, George Frideric Handel, John Coltrane, Frédéric Chopin, Radiohead, Robert Schumann, Ornette Coleman, John Dowland, Horace Silver and more.
Here are some additional questions that we didn’t get a chance to look at:
SG: Do you have any projects you’re working on, or any upcoming concerts or releases?
DF: Touring with my Inventions Trio this year with the great Cuban drummer, percussionist Dafnis Prieto in the drum chair. Lot’s of solo piano concerts and special duet concerts with cellist Maya Beiser and the Fox Wolf Duo with Warren Wolf on vibraphone.
Donal Fox Inventions Trio
SG: Any good books you recommend?
DF: The New Jim Crow by Michelle Alexander
Thelonious Monk: The Life and Times of an American Original by Robin Kelley
SG: What apps do you use?
Photo credit by Lou Jones
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Many thanks to Amy Bormet for having us back again for the Washington Women in Jazz Festival! I love this particular time of year because we get to see so many fantastic and talented women come out to perform. Amy has really built the WWJF into an amazing and high quality festival that everyone is still talking about throughout the year. I’m very thankful to get to play for the amazing audience at Westminster Church, one of the best venues in town. This year it will be the Bullettes Little Big Band with guests! I’m taking this opportunity to bring to light some of the amazing composition and arranging talent we have in this town. I’m also interested in promoting large ensemble music; too often, budget constraints keep people from putting large instrumental groups together. We’ll be premiering my arrangement of “Knives Out” (woo hoo Radiohead fans!) as well as the United States Premiere of “Wine Glass Perspective” by the great Australian composer Mace Francis. We’ll also be playing new original tunes by Todd Simon as well as Doug Pierce, and band members Anita Thomas,Leigh Pilzer, and Amy Bormet. We’ll be featuring Jessica Boykin-Settles on vocals as well. Rumor has it we may do something from her Abbey Lincoln library… stay tuned and see!
This post is about the internet and clicks and how people are making money off of a jazz master’s name.
This post may seem a bit non-artistic to those that know me. I just feel the need to get this out there, and it goes in line with my JTTB Records 2015 Vision of creating a non-profit record label that promotes a sustainable music industry. More info about website services coming soon…. look for it summer 2015.
Dear jazz friends,
I am writing to try to bring attention to an issue that I have noticed, over and over again, regarding the internet and the names of the great jazz musicians. Basically, every time someone searches for something on Google and then clicks on a link, someone makes money off of that click.
There are a lot of really popular and amazing jazz musicians who don’t have websites, and thus lose all that traffic to a directory, which then makes money off their name.
Now, it might not be a lot of money, but it’s really easy money called passive income. Once the site ranks #1 in google search results, people show up, click on ads, and you make an income without having to do anything.
I have nothing against directories, but when they rank #1 on Google in a search it bothers me. Why? Because they are making money off the name of the jazz master. Perhaps this money should go to the estate.
Let me illustrate.
Right now, if you go to the Google Keyword Planner Tool, you will see that there are between 300k and 500k searches a month for Louis Armstrong and related keyword strings. Now, don’t get me wrong, Google Keyword Planner is not super accurate, and is designed to give you a price for ads, but generally, you should know that it’s a good free way to see how many people are searching for something every month. Now, you might say, what’s the big deal? Half a mil searches? Ok? So What?
Well, put Louis Armstrong in the search bar on Google. What pops up? Wikipedia is number one. Then a PBS article. (no offense intended to PBS, sorry). Number 3 is a biography.com article. And then, what the heck? Smart Passive Income blog? Because someone with the last name Armstrong left a comment on a super strong site? I love that blog, but really??? Pat Flynn is getting traffic for a Louis Armstrong search??? OK so I love Pat Flynn (full disclosure – I’ve bought his course) but I’m not sure he should be ranking for Louis Armstrong. Ok then, finally, on number 7 in the search results is the Louis Armstrong charity.
OK, so the real Louis Armstrong is #7 in Google. What’s the big deal?
Well, 90% of people click on #1.
And for every 4,000 visits a month, you can easily make $40 in ad income for one little banner ad.
Therefore, with 90% of 400,000 visits a month, Wikipedia is getting 360,000 visits a month about Louis Armstrong. They monetize that by using that huge number of visits to try to get donations. Whether they use ads or donations, someone somewhere is making money off of Louis Armstrong’s name.
Imagine if you put up a site that ranked #1 on Google for Louis Armstrong. And on such site you put up 10 ads. For each ad you’d make $3,600 per month (360,000 / 4,000 = 90. Therefore 90 x $40 – $3,600.) Therefore, if you can create a site for Louis Armstrong that ranks #1 in Google you can easily make $36,000 per month in passive income from just a simple search for that name. That’s $432,000 per year.
Now do you see what I mean?
This is all perfectly legal. There’s nothing you can do, except to make a site as strong as Wikipedia and then SEO the heck out of it to get it ranked #1. SEO stands for Search Engine Optimization, and it’s a procedure you do to get your site ranked #1 on Google.
Now don’t go doing this at home, ladies and gents. Be careful with SEO. If you hire the wrong guy, you are putting yourself at risk of being ostracized by Google forever. You have to do it right.
Actually, someone could go ahead and do this without getting the estate’s permission, and they would get all that traffic completely legally. This has already happened to one jazz master who is still living, I can’t remember who – someone else made a website about him, and he can’t get his own site ranked against the fake one, and there’s nothing he can do. So, basically, if an estate doesn’t have a website up for their jazz master, they are essentially saying to the world that it’s ok to go ahead and take all that traffic.
This actually already happened to me for my Bullettes. I made a Yolasite and then dropped it. Someone else took that yola site domain name and turned it into a plumber site. It took almost a year to get that stupid Yola plumber site out of the rankings and have my own website rank #1 for the search, “Shannon Gunn and the Bullettes.” In the mean time, the #1 search result for Shannon Gunn and the Bullettes was a plumber site from San Fransisco that had nothing to do with my organization. I complained to Yola and they said there was nothing I could do, “ask nicely” for them to take down the plumber site. Thankfully now my own site (and all sites I have created or have control over) rank in the first page on Google. Lesson to musicians: don’t ever let go of your domain names, even the free ones through Yola or whatever.
Dear musicians, please make a website and get it ranked #1. Thank you. Let me know if you need help with that, especially the white hat SEO part, and especially if someone else is getting ranked for your name.
1. please don’t come to me with dollar signs in your eyes asking for a website and expecting to get rich. It takes time, like 6 months to a year, to get ranked for your name sometimes. The income is negligible unless you have a large number of clicks.
2. I want to just say that I adore Pat Flynn, he has been an inspiration to me, and I know he will see this article because I’m pretty sure he has a google alert on his name. Thank you Pat for all you do and thank you for teaching me so much about the internet. This article is in no way meant to defame your name, or make you feel bad, it’s just an illustration of your amazing SEO and how you are ranked for Louis Armstrong. I feel like I know Pat well enough through listening to his podcasts and reading his blog posts that he wouldn’t be too upset at me for pointing this out, and for possibly eventually losing his ranking for Louis Armstrong.
News: Jazz and Freedom Festival
Produced by: CapitalBop and JTTB Records
Washington, D.C. – On Sunday, January 18th, 2015, there will be a Jazz and Freedom Festival at Union Arts Warehouse from 4 pm to 12 am in celebration of Martin Luther King, Jr. The festival will feature a guest panel of speakers and six bands followed by a jam session at the end. The festival is produced in conjunction with CapitalBop (http://capitalbop.com) and JTTB Records (http://jazztothebone.com). Union Arts is an underground warehouse for artists and it will be a warm atmosphere with food and donations accepted. A portion of the proceeds will go to Empower DC, a non-profit dedicated to helping the DC community (http://empowerdc.org).
At 4 pm on January 18th at Union Arts, there will be a panel discussion on jazz and its role in social activism featuring Fred Foss and Rusty Hassan. Fred Foss played saxophone and woodwinds with Hugh Masekela and Lionel Hampton, among others. Rusty Hasssan runs a jazz radio show at WPFW-FM and is very knowledgable about the history of jazz and its ties with freedom and justice. Then, at 5 pm, “Shannon Gunn and the Bullettes” all female octet will perform a tribute to Mingus. Following that will be free jazz ensemble “Trio OOO” at 6 pm. Then, Reginald Cyntje (jazz trombone) and Herman Burney (bass) will perform a jazz duo at 7 pm. At 8 pm, local songstress and outspoken hero Alison Crockett will perform selections from her one woman show, “Is this it? My American Dream.” Following her performance will be a duo with Nasar Abadey (percussion) and Jamal Moore (saxophone) at 9 pm. At 10 pm will be the Jazz and Freedom Octet, an ensemble created to promote peace and social justice by performing music that inspires freedom. The Jazz and Freedom Octet comprises of Jessica Boykin-Settles on vocals, Grant Langford on tenor sax, Donvonte McCoy on trumpet, Elijah Easton on tenor sax, Shannon Gunn on trombone, Sam Prather on piano, Karine Chapdelaine-Walker on bass, and Savannah G. Harris on drum set and will be joined by Tony Martucci on congas for this performance.
The idea for this festival was was the brain-child of Shannon Gunn, local jazz trombonist and high school music technology teacher who runs a non-profit record label called JTTB Records (http://jazztothebone.com). She was inspired by a similar performance where her professors at Michigan State University performed as part of a Martin Luther King, Jr. weekend celebration in 2003. She approached Gio Russonello and Luke Stewart of CapitalBop (http://capitalbop.com), a blog that keeps tabs on the local jazz scene, to see if they might be interested in co-producing the festival at the Union Arts location. The two entities united their forces in pulling in artists and speakers together and turned the event into a fundraiser for EmpowerDC, a local community activist group whose mission is to enhance, improve and promote the self-advocacy of low and moderate income DC residents in order to bring about sustained improvements in their quality of life. (http://empowerdc.org) Half of the door donations will be donated to EmpowerDC.
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The Jazz and Freedom Octet is an ensemble created to promote peace and social justice by performing music that inspires freedom. The Jazz and Freedom Octet comprises of Jessica Boykin-Settles on vocals, Grant Langford on tenor sax, Donvonte McCoy on trumpet, Shannon Gunn on trombone, Sam Prather on piano, Karine Chapdelaine-Walker on bass, and Savannah G. Harris on drum set.
The Jazz and Freedom Octet will perform two shows for the Jazz and Freedom Festival 2015. They will start on Saturday, January 17th at a house show in Falls Church, Va. Then, on Sunday, January 18th, they will be last show at 10 pm for the Jazz and Freedom Festival at Union Arts located at 411 New York Ave NE in Washington, D.C. Please contact Shannon Gunn if you’d like more information or to book a reservation for the house show. $20 donation suggested for each show.
Welcome back to the JazzCast, Episode 24, where we finish up an interview with Reginald Cyntje! I’m happy to state that Reginald’s album, “Elements of Life” was just named one of the top five albums for 2014 by CapitalBop blog. Go Reggie! (And every album on that list is excellent, please check them out!) In this episode we get deep into the meaning behind the music as well as more philosophical matters. You can also check out more of Reginald’s music by going to the previous episode as well. Most of all please support Reginald by purchasing his album on CDBaby, iTunes, Amazon, or from his website. He is running a 20% sale so check it out! Also please check out his new book, Stepping Stones, 15 studies in improvisation! I believe that Reginald wrote a bunch of new music since this episode (which was recorded in August) so please keep an eye out for what he puts together in 2015, I know it will be great. I hope you enjoy this in depth interview!
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