2019 – The Year of Apps in Browsers

Recently, I deleted Facebook, Instagram, and Twitter from my phone. I almost immediately felt a lift in spirit, and have not regretted it since. I still have the accounts, just deleted the app, that’s all.

First of all, the invasion of privacy is astounding. Pay close attention to your ads. Have you ever searched for that item? We all know our searches are tracked and then ads are targeted later. If you put an item in a shopping cart online, and then abort, you will get retargeting ads a few minutes later on Facebook.

What really concerns me are the ads for items I did *not* search for.  Our phones are listening and our conversations are constantly mined for “keywords.” Companies pay big money to drill down their advertisements to people talking about a problem they can solve. I’ve seen this happen on my own accounts with large ticket items. Try having a conversation around a few of the following topics, and then pay close attention to the ads you see on Instagram and Facebook. Say the following words aloud.

1. I want to switch careers. I wonder if it would be helpful to have an MBA. I wonder where I should get an MBA. I need figure out what I should do for my career… [keep going, make stuff up]

2. Let’s go on vacation. Hawaii? Costa Rica?

3. I need a new mattress…

4. Honey let’s buy a house

5. Need a new kitchen, bathroom, I need new windows

I would even go so far as to say that these high value keywords are still recorded when the phone is off.

(please note – I am not an expert, just describing what I’ve seen)

Try it!

It’s legal because we agree to this in the terms and conditions.

There is something about these social media apps that causes a bit of jealousy, especially seeing other musicians’ gigs. You might say, but you need social media as a musician? To promote gigs?

First of all, I’m not sure how useful social media is for promoting live shows. It can help propel the wave of marketing, but print and curated media is still king. I would question the effectiveness of social posts. I have seen one, maybe two people come out to a show because they saw a social post, per gig, but it’s never a huge impact.

Facebook Ads do work, but that’s not really a strategy I want to use, if I can help it. That’s more for venues and large orgs.

What posting really does is give cred amongst other musicians, and builds rapport. That’s musician-to-musician business, though, not musician to audience marketing. Musicians are watching each other – checking out new venues, looking for sessions, you know the drill. It’s good for the industry to see what you’re up to. You have to constantly feed your social network and fans with new music (videos, recordings, etc.)

So how does one continue to stay in the eyes and minds of the industry, without sacrificing self-confidence and “FOMOOG” (fear of missing out on gigs)?

The answer, my friend, is to push out social posts with apps in browsers. Simply open Safari or Chrome to the social media site of choice, post your selfie/video/text, and get out. Close the tab. You can post video and pictures to Facebook, and pictures only to Instagram. You can only use IG via browser on your phone, not the desktop. You can view and post to Twitter with your browser. The only one that has been sticky is Pinterest, they force you to open your recipe for the best chocolate brownies in the app. So download and then delete when done.

I am having difficulty deleting Facebook Messenger. I’m not seeing any ads, so I don’t think it’s tracking me (yet), but I’m not an expert. FB Messenger is the most reliable way to reach a lot of folks, and also gives me a way to book people I have met but don’t have their phone number.

Cut the endless scrolling, go get coffee with friends, and cut those social media strings!

Ah, where was I on Instagram stories?

Just kidding!!

By the way, everyone under 25 has figured this out. This post is for us old folks, millennials and older.

For Immediate Release: The 17th Annual Jazz4Justice Concert features a new partnership between George Mason University and Legal Services of Northern Virginia

George Mason University School of Music

presents
THE 17TH ANNUAL JAZZ4JUSTICE™
featuring a new partnership between George Mason University
and Legal Services of Northern Virginia

Friday, November 16, 2018 at 8 p.m.
Hylton Performing Arts Center in Manassas


Saturday, November 17, 2018 at 8 p.m.
Center for the Arts in Fairfax

 (FAIRFAX)— George Mason University’s School of Music presents the 17th annual Jazz4Justice LIVE! concert and fundraiser on Friday, November 16 at 8 p.m. in the Hylton Performing Arts Center and Saturday, November 17 at 8 p.m. in the Center for the Arts. The events raise funds to directly support vital legal services and the George Mason University Jazz Studies program. Information and tickets are currently available at hyltoncenter.org and cfa.gmu.edu.

For the first time, Jazz4Justice™ is presented in partnership with Legal Services of Northern Virginia (LSNV), the largest legal aid organization in Northern Virginia. “We are looking forward to partnering with Jazz4Justice™ as well as the entire Mason community to promote justice for a better community by providing civil legal assistance to those facing the loss of a critical need,” affirmed Marcy Kossar, Director of Development for LSNV.

James Carroll, Professor of Jazz Studies and Mason Jazz Ensemble Director, has assembled a stellar musical program for the upcoming Jazz4Justice™ performances. He shared, “we are excited to feature alto saxophone virtuoso Charlie Young, Professor of Music at Howard University and leader/Artistic Director of the Smithsonian Jazz Masterworks Orchestra. Charlie is, absolutely without a doubt, ‘the best’. In addition, we will feature amazing student musicians and compositions from Mason’s Jazz Studies Department, and there will be an open jam session hosted by Mason students following each concert. We will also be producing a live recording of the concert. We truly hope local audiences and arts supporters can join us for this wonderful collaboration between Mason Jazz and the legal community.”

Tickets to Jazz4Justice™ at the Hylton Center are available in person at the Ticket Office (open Tuesday-Saturday 10 a.m.-6 p.m.), by calling at 703-993-7759, or at hyltoncenter.org. Tickets to the Center for the Arts’ concert are also available in at the Ticket Office (open Tuesday-Saturday 10 a.m.- 6 p.m.), by calling at 703-993 2787, or at cfa.gmu.edu.

About Jazz4Justice

In 2000, Fairfax attorney Ed Weiner attended a student jazz recital. He was impressed by the music but distressed by the small audience. As the President of the Fairfax Law Foundation, he saw an opportunity for a new partnership – universities would provide the musical talent and the local legal community would provide the audience and sponsors. Today, Jazz4Justice concerts are held throughout the Commonwealth of Virginia. Thus far, Jazz4Justic has raised over $350,000 for music scholarships and an array of educational and charitable services benefiting Virginia’s local communities. Jazz4Justice has received awards from the American Bar Association and the Virginia State Bar.

About the School of Music

The Mason School of Music is part of the College of Visual and Performing Arts. Students study with nationally and internationally recognized faculty who are active performers, conductors, composers, music theoreticians, historians, and music teachers. Admission is based on acceptance to the university and audition. The music program is accredited by the National Association of Schools of Music (NASM).

About the College of Visual and Performing Arts

The College of Visual and Performing Arts (CVPA) provides an academic environment in which the arts are explored as individual disciplines and interdisciplinary forms that strengthen one another. The college prepares students for careers as creators, performers, teachers, scholars, arts leaders and arts entrepreneurs. Understanding that an education in the arts is deepened by regular contact with the work of distinguished visiting artists, the Center for the Arts, the professional presentation and production arm of the college, welcomes a variety of professional and world-renowned artists, musicians and actors to its stage. Students have the opportunity to perform, create and exhibit their work in a wide variety of public venues including a 2,000-seat Concert Hall. CVPA is home to the Schools of Music, Dance, Art and Theater, as well as the Computer Game Design, Arts Management, and Film and Video Studies programs.

About George Mason University

George Mason University is Virginia’s largest public research university. Located near Washington, D.C., Mason enrolls 35,000 students from 130 countries and all 50 states. Mason has grown rapidly over the past half-century and is recognized for its innovation and entrepreneurship, remarkable diversity and commitment to accessibility.

About Legal Services of Northern Virginia

Legal Services of Northern Virginia (LSNV), a private, not-for-profit organization, offers free legal services to low income individuals and families, seniors, veterans, people with disabilities and victims of domestic violence residing in Northern Virginia. With 7 offices located throughout the region, LSNV completed more than 6,000 cases in 2017 benefitting 15,000 individuals, providing assistance in the following substantive areas:

  • family law, focusing primarily on matters which include domestic violence
  • housing law which includes eviction and foreclosure prevention cases
  • consumer law
  • public benefits
  • veteran’s affairs
  • employment law
  • elder law
  • child advocacy
  • education law with a focus on children with special needs
  • HIV/AIDS Project

LSNV’s mission could not be accomplished without the generous support of the Northern Virginia community. We thank you for your support and invite you to learn more about how we benefit the community at www.lsnv.org.

For Immediate Release: Amy Shook and the SR4tet to perform at the Hill Center, October 4th

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hill Center at the Old Naval Hospital, 921 Pennsylvania Ave. SE, Washington, DC 20003

FOR IMMEDIATE RELEASE

Media Contact: Burnett Thompson, 703-489-8704, burnett@pianojazz.com

Premiere DC Bassist Amy Shook and the SR4tet to open the Street Scenes Concert Series at the Hill Center on October 4th, 2018

Performing New Originals and Old Standards With a Star Studded Cast

Washington, D.C. (September 9th, 2018) — Street Scenes at the Hill Center presents jazz bassist Amy Shook with the SR4tet on Thursday, October 4th, at 7:00 – 9:00 pm. Tickets are $18 in advance, $20 on the day of the performance and can be purchased online or at the door. Purchase tickets on InstantSeats at https://www.instantseats.com/index.cfm?fuseaction=buy.event&eventID=A56190A9-939F-F073-A96255EFC0D4D987.

The Shook/Russo Quartet, comprised of Amy Shook on bass, Pat Shook on tenor sax, Frank Russo on drums and Jonathan Epley on guitar, has been working together for nearly 13 years in the Baltimore/Washington, D.C. area. Their focus has always
been to compose and perform their own original music within the jazz idiom, honoring the masters by carrying on the tradition. The group has developed an incredible and unique sound by merging the diverse backgrounds of each of these fine musicians into one voice. The result is a whirlwind of grooves, melodies, and diverse textures that are a true delight to hear. Collectively, the members of the Shook/Russo Quartet have performed extensively throughout the United States, as well as performed in Canada, Mexico, Asia, Europe, and the Caribbean, and at festivals such as the Lionel Hampton Jazz Festival, the Ottawa Jazz Festival, the Stan Getz Jazz Festival, the Cape May Jazz Festival and the Mid-Atlantic Jazz Festival to name a few. For more information, please visit www.amyshook.com.

“Amy Shook builds tension in her blues march groove to climax with the inclusion of the rhythm section and the harmonious horns that float, swirl, roll and boil to a gentle simmer, giving way to graceful poise…So Far From Home (Shook/Russo 4tet, Summit Records) should be in every straight-ahead, jazz lover’s house.” Paul J. Youngman, www.jazzreview.com

Hill Center Street Scenes Concert Series

For a complete schedule and artist bios for the Hill Center Street Scenes Concert Series, curated by Burnett Thompson and Shannon Gunn, please visit www.pianojazz.com/hillcenter.htm. Ensembles in residence at the Hill Center provide exquisite concert performances coupled with children’s programming in D.C. public schools. In its 7th season, the aim of the series is to bring the world’s rich musical universe to Capitol Hill and the wider Washington, D.C. community.

Street Scenes Concert Series:

October 4th, 2018: Amy Shook and the SR4tet
November 17th, 2018: Tom Teasley
February 14th, 2019: Sam Prather
March 27th, 2019: Washington Women in Jazz Festival
April 17th, 2019: Kris Funn and Cornerstore
May 15th, 2019: Monika Herzig’s SHEroes

Photo cut-line: Amy Shook and the SR4tet to perform at Street Scenes at Hill Center on Thursday, October 4th at 7:00pm.

Announcing: The Hill Center Street Scenes Concert Series 2018 – 2019

Announcing: The Hill Center Street Scenes Concert Series

For a complete schedule and artist bios for the Hill Center Street Scenes Concert Series, curated by Burnett Thompson and Shannon Gunn, please visit www.pianojazz.com/hillcenter.htm. Ensembles in residence at the Hill Center provide exquisite concert performances coupled with children’s programming in D.C. public schools. In its 7th season, the aim of the series is to bring the world’s rich musical universe to Capitol Hill and the wider Washington, D.C. community.

Hill Center at the Old Naval Hospital Street Scenes Concert Series:

October 4th, 2018: Amy Shook and the SR4tet
November 17th, 2018: Tom Teasley
February 14th, 2019: Sam Prather
March 27th, 2019: Washington Women in Jazz Festival
April 17th, 2019: Kris Funn and Cornerstore
May 15th, 2019: Monika Herzig’s SHEroes

Shannon Gunn and the Bullettes to Perform at Republic Restoratives 3/2

Get Tickets: http://bullettes.brownpapertickets.com/

Start out the evening with a classy cocktail around 5:30 pm inspired by the community spirit that is Republic Restoratives, a new women-owned distillery turned venue in town. They are located just a few blocks north of the Angelika pop up and humane society on New York Ave in Northeast DC. There is plenty of parking (free for 2 hours) within a block in the Hecht’s garage. All ticket holders are given 20% off drinks. Feel free to drink water or soda, it’s not required to drink alcohol. Around 7 pm we’ll convene intro the huge industrial style back room.  You can also order food to be delivered, and there is a nice pizza spot nearby that delivers to the distillery. There are about 10 restaurants within a block, and Union Market is also really close.

Audience members will enjoy a trek through time following the changes in style of the jazz tradition with performances of arrangements by Fletcher Henderson, Duke Ellington, Count Basie, Oliver Nelson, and Thad Jones. Following their tribute to the masters, the jazz orchestra will play world premieres of new music by band members as well as groove arrangements of recent popular music. This will be a nice event, and we hope to see you there!

Shannon Gunn and the Bullettes
All-female Big Band
March 2nd, 2017 @ Republic Restoratives Craft Distillery and Bar
1369 New York Avenue NE, Washington, DC 20002
7:00 and 9:00 Sets
Tickets range from $7 – $15

Tickets for each set will be sold separately. Ticket holders for the 7 pm set are welcome to stay through the 9 pm set.

TICKETS: http://bullettes.brownpapertickets.com/

Personnel:
Leigh Pilzer, alto sax
Halley Shoenberg, alto
Megan Nortrup, tenor
Julieta Eugenio, tenor
Michelle Acton, Bari
Mike “Bags” Davis, trumpet
Ginger Turner, trumpet
Alison Rogers, trumpet
Shannon Gunn, trombone
Nicole Connolly, trombone
Amy Bormet, piano
Adi Meyerson, bass
Ana Barreiro, drums